Publications

Books:

Sculpting Doughboys: Memory, Gender and Taste in America’s World War I Memorials (Surrey, England; Burlington, VT: Ashgate, 2013)


https://www.routledge.com/Sculpting-Doughboys-Memory-Gender-and-Taste-in-Americas-World-War-I/Wingate/p/book/9781409406556

Read the introduction here: https://www.dropbox.com/s/7uyr4k2pd2irj0q/Sculpting_Doughboys_Memory_Gender_and_Ta.pdf?dl=0

In contract:  

“At Home with Political Portraits: Photographs of the Domestic Display of United States Presidents” (Lexington Books)

Edited Volume:

Teachable Monuments: Using Public Art to Spark Dialogue & Confront Controversies, edited by Sierra Rooney, Jennifer Wingate, & Harriet F. Senie (London: Bloomsbury Publishing, 2021; paperback 2022)

Articles:

“Framing Race in Personal and Political Spaces: New Deal Photographs of Franklin Delano Roosevelt Portraits in Domestic Settings,” Winterthur Portfolio (Summer/Fall 2018): 137-167. https://www.journals.uchicago.edu/doi/full/10.1086/700015

above: Adele Serruti, member of Local 6, International Longshoremen and Warehousemen’s Union, California Potato Chip company, Oakland, CA, ca. 1930s–40s. (Ben Shahn Papers, 1879–1990, bulk 1933–1970, Archives of American Art, Smithsonian Institution.)

“Real Art, War Art, and the Politics of Peace Memorials in the United States after World War I,” Public Art Dialogue vol. 2, no. 2 (September 2012): 162-189

“Memorials, Motherhood, and Anti-Militarism: Bashka Paeff’s Sacrifices of War,” Woman’s Art Journal, vol. 29, no. 2 (Fall/Winter 2008): 31-40. https://www.dropbox.com/s/hdybrl5m7go2y4q/Bashka%20Paeff.pdf?dl=0

“Over the Top: The Doughboy in World War I Memorials and Visual Culture,” American Art vol. 19, no. 2 (Summer 2005): 26-47 https://www.dropbox.com/s/b70w2ya08ws7hin/Am%20Art%20article.pdf?dl=0

Anthology Chapters & Invited Essays:

“(In)famous: Contemporary Lessons from History’s Heroes,” invited contribution to The Routledge Companion to Art in the Public Realm, edited by Cameron Cartiere and Leon Tan (Abingdon, Oxfordshire: Routledge, October 2020): 164-174. https://www.dropbox.com/s/bdilpj6gk55ilax/Beecher%20article.pdf?dl=0

“#MuseumsRespond: Social Justice and the Engaged Museum,” invited contribution to Museums & Public Art?, edited by Cher Knight and Harriet Senie, (Newcastle upon Tyne: Cambridge Scholars Publishing, 2018), 238-256.

“Sculpture and Lived Space,” invited essay on the state of the field of sculpture in Panorama: Journal of the Association of Historians of American Art 3, no. 1 (Summer 2017)

https://journalpanorama.org/wp-content/uploads/2017/06/Wingate-Sculpture-and-Lived-Space.pdf

“Monumental Visions: Women Sculptors and World War I” in Women and Things: Gendered Material Strategies, 1750-1950, edited by Maureen Daly Goggin and Beth Fowkes Tobin (Surrey, England; Burlington, VT: Ashgate, 2009), 299-320.

Book , Exhibition, & Movie Reviews:

Rev. of film, Stonecutters (Valerio Ciriaci, 2022) Italian American Review 13, no. 2 (Summer 2023): 222-226.

Rev. of Kajri Jain, Gods in the Time of Democracy (Durham: Duke University Press, 2021) Sculpture Journal 32, no. 2 (2023): 288-290.

Rev. of Gabrielle Bendiner-Viani, Contested City Art & Public History as Mediation at New York’s Seward Park Urban Renewal Area. (Iowa City: Univ. of Iowa Press, 2018) Public Art Dialogue (Spring 2020): 109-110. [issue guest edited by Martin Zebracki]

Rev. of Linda Kim, Race Experts: Sculpture, Anthropology, and the American Public in Malvina Hoffman’s Races of Mankind (Lincoln: University of Nebraska Press, 2018) Woman’s Art Journal 40, no. 1 (Spring/Summer 2019): 45-46

Rev. of the exhibition, World War I Beyond the Trenches, at the New-York Historical Society, Journal of American History 104, no. 3 (December 2017): 728-732.

Rev. of David Lubin, Grand Illusions: American Art and the First World War (NY: Oxford University Press, 2016) Panorama: Journal of the Association of the Historians of American Art 3, no. 1 (Summer 2017) https://editions.lib.umn.edu/wp-content/uploads/sites/14/2017/06/Wingate-Grand-Illusions.pdf

Rev. of Miguel De Baca, Memory Work: Anne Truitt and Sculpture (Berkeley, CA: University of California Press, 2016) Woman’s Art Journal 38, no. 1 (Spring/Summer 2017): 51-52.

Rev. of Melissa Dabakis, A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome (Penn State University Press, 2014) Woman’s Art Journal (Fall/Winter 2015): 59-61.

Rev. of Kristin Ann Hass, Sacrificing Soldiers on the National Mall (Berkeley, CA: University of California Press, 2013) The Public Historian 37, no. 1 (Winter 2015): 138-140.

Rev. of Carlos Basualdo, ed. Barbara Chase-Riboud: the Malcolm X Steles (New Haven, CT: Yale University Press, 2013) Woman’s Art Journal (Fall/Winter 2014): 50-52. https://www.michaelrosenfeldart.com/www_michaelrosenfeldart_com/Womens_Art_Journal_Fall_Winter_2014.pdf

Rev. of Kate Culkin, Harriet Hosmer: A Cultural Biography (University of Massachusetts Press, 2010) and Marianne Kinkel, Races of Mankind: The Sculptures of Malvina Hoffman (Chicago: University of Illinois Press, 2011) Woman’s Art Journal (Spring/Summer 2012): 56-57.

Rev. of Virginia Grieve, The Federal Art Project and the Creation of Middlebrow Culture (Chicago: University of Illinois Press, 2009) Indiana Magazine of History (Sept. 2011): 279-281.

Rev. of Kirsten Pai Buick, Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject (Durham, NC: Duke Univ. Press, 2010) Woman’s Art Journal (Spring/Summer 2011): 63-64.